Sunday, March 2, 2008

POV (Prisoners of View)




The point of view (POV) in a story is an important element of writing according to those who claim to know something about writing.


A story could be told in first person. According to some writers, the story in first-person is the easiest to write because it is the one that we have most experience with in our everyday conversations. This says something about our self-centered nature if, in fact, most conversational statements begin with "I".


The story could also be told in third-person; the omnipotent, omniscient narrator tells as little or as much as the reader/listener is supposed to know at any one time. This is what many people think they are doing in everyday conversations while they are overusing the pronoun "I".


The limited omniscient POV tells the story as understood by one of the characters. This is what the "I" users are actually doing. The stream of consciousness POV not only tells the reader about what the character is consciously aware but also about the character's unconscious processes. I've decided not to comment on this one, but will instead invoke the Fifth Amendment. The objective POV follows the action and the dialogue, leaving the readers/listeners to interpret for themselves motives and internal conflict. Isn't that what journalists used to do before Fox News?


Moreover, the story might change from one point of view to another as long as the reader/listener understands whose head or heads that he or she is in. Now, isn't that simple? The best way to keep the reader informed in this more complex style of POV, of course, is stay in the same POV for the entire scene or chapter or conversation.


In other words, it's all about perception. As characters on the world stage, perception is reality and vice versa.


I'm glad I was able to take time out of my busy day as I am, in fact, able to clear this up for you because this is the way I see it ... so should you.

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